Posted: April 30th 2026

SCHOOL, FINE WOODWORKING AND LUTHERIE

The back of a Baroque lute which is maple with ebony inlaid strips. The flowers are inlaid not painted on.
The neck and peg board. The flowers are inlaid not painted. The frets are tied cat gut.
The fingerboard is ebony with inlaid maple. The soundboard is Picea Excelsior (German Spruce) cut down in Switzerland in 1965.
Classical guitar 1985. The soundboard is from the same stock as the lutes. The back and sides are Indian rosewood.
The 1920s style sailing boat In which the sails and rudder are radio-controlled.
The traditional English trug.

Some of the fine woodworking and lutherie I have done is shown above:

Having failed the eleven plus examination I was in a secondary modern school and in the second stream not even the top stream. Those who passed the eleven plus went to a grammar school where the more academically gifted went and often ended in office jobs . One factor on going or not was if your parents were keen on you going to a grammar school, in which case there was some pressure to study and perhaps more books in the home. One reason to prefer a trade was because the pay was often better than an office job.

I had no encouragement from my parents who assumed I would go into a trade as my father had. I was fascinated by the transmission through the air of radio and television and when I was fifteen I built a radio. I put it in an OXO can but knew enough to leave the antenna outside of the metal can. When I told the school that I wanted to repair radios and television they said I would not be able to do that due to a lack of education and that I should work on a building site, which I did. I was a lb weaking and could only carry a half a hod of bricks, which made the brickies mad. I did then work mixing concrete which I could just about do. Only later working on radios, television, tape recorders and electronics.

One thing I did learn from a very encouraging teacher, was woodwork and I continued this as a hobby until recently.